Podcast law attorney

    Your voice has value. We protect it.

    INFLUXIO, the Creator Economy law firm, secures podcasters, producers and platforms: copyright, production contracts, SACEM, GDPR, monetization. As producers of the INFLUXIO Talk podcast, we know your business from the inside.

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    How we can help you.

    Drafting podcast production and co-production contracts
    Negotiating copyright assignment agreements
    Managing music rights and SACEM licenses
    Drafting guest agreements (image, voice, consent)
    Sponsorship and product placement contracts
    GDPR compliance for podcast activities
    Legal structuring advice for podcasters
    Copyright litigation related to podcasts

    Practical examples

    Negotiation of an exclusive distribution deal with a major platform

    A successful independent podcast (500,000 listens/month) received an exclusivity offer from a major audio platform. Negotiation of the exclusive license: guaranteed compensation, 18-month term, intellectual property retention, and early exit clause.

    Resolution of a co-created podcast ownership dispute

    Two co-hosts of a tech podcast split without having formalized rights distribution. Mediation resulted in an agreement: one kept the name, the other recovered the archives, with revenue sharing on existing episodes.

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    What our clients say about us.

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    “We entrusted INFLUXIO with a complex case. Their technical expertise, strategic vision and the quality of their legal briefs were decisive.”

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    Insights

    Learn more about this area.

    Is a podcast protected by copyright?

    Podcasts have become an essential creative content medium. In France, over 200 million podcast episodes are listened to every month. But behind this creative explosion, the legal challenges are often underestimated by creators.

    Legal qualification of a podcast.

    A podcast constitutes a work of the mind protectable by copyright (Article L.112-2 of the Intellectual Property Code). Depending on its format, it can be classified as an audiovisual work (if accompanied by video), a sound work, or a composite work when it incorporates pre-existing elements (music, excerpts).

    This classification determines the applicable legal regime and the creator's rights.

    Podcaster's copyright.

    The podcaster-author benefits from economic rights (reproduction, performance, adaptation) and moral rights (attribution, integrity, disclosure). These rights arise from the very creation of the work, without any filing formality, and last 70 years after the author's death.

    In the case of a collaborative podcast (interviews, co-hosting), the classification as a collaborative work or collective work has direct consequences on rights ownership.

    Neighboring rights (performers, producers).

    Beyond copyright, podcasts involve neighboring rights: those of performing artists (hosts, guests, voice-over) and those of the phonogram producer who takes the initiative and financial responsibility for the sound recording. These rights must be contractually framed to avoid future disputes.

    Essential podcast contracts.

    The legal security of a podcast project requires drafting contracts adapted to each relationship. INFLUXIO drafts and negotiates all the necessary contractual documentation.

    Podcast production contract.

    The production contract defines the relationship between the podcast creator and the producer (natural or legal person who finances and organizes production). It must specify: rights ownership over the work, creator's compensation (flat fee, proportional royalties, or mixed), exploitation conditions (platforms, territories, duration), and each party's obligations.

    Rights assignment contract.

    The assignment of copyright on a podcast follows the strict formalism of the Intellectual Property Code (Article L.131-3 CPI): each assigned right must be separately mentioned, the scope of exploitation must be defined (extent, purpose, location, duration), and the author's compensation must in principle be proportional to exploitation revenues.

    Hosting and distribution contract.

    The choice of hosting platform (Ausha, Acast, Spotify for Podcasters, Apple Podcasts) involves accepting terms of service that may affect your rights. INFLUXIO analyzes and negotiates these contracts to protect your intellectual property and your data.

    Sponsorship and product placement contract.

    Monetizing a podcast through sponsorship or product placement is subject to the transparency rules of the June 9, 2023 law on commercial influence and the ethical rules regarding advertising. The contract must specify the collaboration conditions, disclosure obligations, and exploitation rights for sponsored content.

    Music in podcasts: SACEM rules.

    Using music in a podcast is one of the most misunderstood legal topics by creators. The rules vary depending on whether the music is protected, royalty-free, or original.

    Using protected music.

    Any use of copyright-protected music in a podcast requires prior authorization. SACEM offers a specific podcast contract allowing the use of the protected musical repertoire for a fee. Neighboring rights (phonographic producers, via SCPP or SPPF) must also be negotiated separately, which is a major issue in music law.

    Royalty-free music: beware of pitfalls.

    So-called 'royalty-free' music libraries (Epidemic Sound, Artlist, AudioJungle) are not free of legal risks. The usage license varies by platform and subscription plan. Some licenses exclude commercial use, monetization, or distribution on certain platforms. INFLUXIO audits your licenses to verify their suitability for your use.

    Jingles and original compositions.

    Creating a jingle or original music for your podcast requires drafting a commission contract with the composer, including an appropriate rights assignment. This contract must specify exploitation conditions, the composer's compensation, and the treatment of rights upon the end of the collaboration.

    Image rights and podcast guests.

    Having guests on a podcast raises specific questions regarding image rights and personal data protection.

    Guest consent.

    Each guest must give informed consent to the recording and broadcast of their image and voice. This consent should ideally be formalized in writing and specify the exploitation conditions: broadcast platforms, duration, possibility of rebroadcast, use of excerpts for promotional purposes.

    Right of withdrawal.

    The guest generally has a right to withdraw their consent, but the practical details must be anticipated contractually: retraction period before publication, financial consequences of late withdrawal, conditions for deleting or modifying the episode.

    Video recording and multi-platform distribution.

    The trend toward video podcasts (simultaneous distribution on YouTube, Twitch, Instagram) broadens the issues: rights must cover all broadcast platforms, and the specific rules of each platform (YouTube Content ID, Twitch moderation) must be taken into account.

    GDPR and podcasts.

    Producing and distributing a podcast involves processing personal data subject to GDPR: collecting listener data via hosting platforms (listening statistics, geolocation), newsletter subscriptions and mailing list management, contact and participation forms, data relating to guests and contributors.

    INFLUXIO supports you in bringing your podcast activity into compliance with personal data protection regulations.

    Podcast monetization: legal framework.

    Podcast monetization takes several forms, each governed by specific legal rules.

    Advertising and product placement.

    Advertising in podcasts is subject to general advertising rules (fairness, truthfulness, identification) and the specific provisions of the June 9, 2023 law if the podcaster is an influencer. Product placements must be clearly identified with the mentions 'advertising' or 'commercial collaboration.'

    Subscriptions and premium content.

    The freemium model (free episodes + paid exclusive content) requires drafting T&Cs compliant with consumer law, including the 14-day right of withdrawal for digital content and archive access conditions.

    Live events.

    Organizing live podcasts or events around your podcast brand involves specific regulations: prior declaration, safety, ticketing, and management of recording and rebroadcast rights.

    The CSPLA/ARCOM 2024 report on podcasts.

    The joint report by the Superior Council for Literary and Artistic Property (CSPLA) and the Audiovisual and Digital Communication Regulatory Authority (ARCOM) published on 12 February 2025 constitutes the first in-depth institutional study on the legal framework for podcasts in France.

    This report highlights the need to adapt the audiovisual regulatory framework to the specificities of podcasting, particularly regarding content regulation, creator protection, and fair compensation. Its recommendations should influence upcoming legislative developments. INFLUXIO closely monitors these proceedings to anticipate impacts on your podcast activities.

    Podcast contracts, monetisation and rights clearance.

    Podcast law combines copyright (Articles L. 111-1 and following IPC), neighbouring rights (Articles L. 211-1 IPC for performers and producers), music licensing (SACEM, SCPP, SPPF) and advertising regulation (Law of 9 June 2023 on commercial influence).

    Our firm structures co-production agreements, host-platform exclusivity clauses, sponsorship and brand-content contracts, and advertising integration (host-read, dynamic insertion). For music podcasts, we negotiate blanket SACEM licences, master licences and synchronisation rights.

    The forthcoming European Media Freedom Act (Regulation EU 2024/1083, applicable from 8 August 2025) introduces editorial independence guarantees that apply to digital audio media.

    Platform exclusivity and walled gardens.

    Spotify, Apple Podcasts and Audible negotiate aggressive exclusivity windows. We assess competition law implications (Article 102 TFEU, abuse of dominance), structure carve-outs and protect creators' editorial control.

    Defamation, privacy and journalistic content.

    Investigative podcasts must navigate the Press Law of 29 July 1881 (3-month statute of limitations for defamation), the right of reply (Article 13), and the protection of sources (Article 2). We advise editors on pre-publication risk reviews and post-publication crisis management.

    Useful glossary in podcast law.

    Oral work
    work protected by copyright if original (Article L.112-2, 2° CPI), even unfixed, covering scripted narrative podcasts and interviews.
    Neighbouring rights
    protection of performers and phonogram producers (Articles L.212-1 et seq. CPI); a podcast generates producer's neighbouring rights on the sound fixation.
    Rights assignment
    written contract (Article L.131-3 CPI) specifying nature, scope, destination, location and duration of exploitation, essential for syndication and adaptation.

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    FAQ

    Frequently asked questions.

    Yes. A podcast constitutes a work of the mind protectable by copyright as long as it is original (Article L.112-2 of the CPI). The podcaster-author benefits from economic rights (reproduction, performance) and moral rights (attribution, integrity) without any filing formality.

    No, unless the music is in the public domain (70 years after the death of the author AND the producer). For protected music, you must obtain authorization from SACEM (copyright) and from phonographic producers (SCPP/SPPF for neighboring rights). SACEM offers a specific contract for podcasts.

    It is not legally required, but strongly recommended. A written agreement (even a simple confirmation email) protects both parties by formalizing consent to recording and broadcast, exploitation conditions, and the terms of any potential withdrawal.

    Several models are possible: sponsorship and product placement (complying with the transparency obligations of the June 9, 2023 law), premium subscriptions (with T&Cs compliant with consumer law), live events, and merchandise. Each monetization model involves specific legal obligations.

    Currently, podcasts are not subject to the obligation to register with ARCOM, unlike radio or television services. However, the CSPLA/ARCOM 2024 report recommends an evolution of the regulatory framework. Video podcasts distributed on video-sharing platforms are subject to the Digital Services Act (DSA) rules.

    It depends on the works exploited. If the podcast broadcasts pre-existing music, a declaration and contract with SACEM (copyright) and SCPP/SPPF (producers' neighboring rights) are required. For spoken works (interviews, audio fiction), SCAM manages the authors' rights.

    Use without authorization exposes to an infringement action (IP Code L.335-2).

    By default, each speaker holds the performer's neighboring rights over their oral performance (IP Code L.212-1). The podcast producer holds the rights over the sound fixation (IP Code L.213-1) provided that a written assignment has been signed with the speakers. Without a contract, the guest can oppose the rebroadcast or monetization of the episode.

    Any podcast using a hosting platform that collects listening statistics, newsletter subscriptions or donations must comply with the GDPR: transparent information, clear legal basis, defined retention period, rights of access and erasure. A compliant privacy policy and, where applicable, the appointment of a DPO are essential.

    The INFLUXIO Attorneys team

    In short

    INFLUXIO is a law firm specialized in podcast law, based in Paris. Production contracts, copyright and neighboring rights, SACEM/SCAM, monetization, GDPR, platforms and audio litigation.

    Response within 24 hours.